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The Last Pavane
by VicDiesel

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Song comments: 26
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Plays: 63
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Submitted on: Aug 31, 2008 - 11:08:49 PM
Last Updated: Dec 10 2008 - 04:30:53 PM
Keywords Dance (535)recorder (13)courtly suite (5)
Description The last pavane of the evening goes round and round. It is tradition
that, at the end of a variation, the couple closest to the door is
politely escorted out. Of course it wouldn't do to have that happen
to the kind and queen, so the musicians know to sneak in an extra
variation when needed.

This is the concluding movement in my Courtly Suite. That doesn't mean it's the last movement I'll write: I still have ideas for a couple more, and I don't have an ouverture yet.
Hardware Melody: Kueng olivewood tenor and tulipwood soprano. Harmony: Ehlert soprano and alto; yamaha plastic bass recorder (twice). Drums: fishskin and synthetic Riq, cheap tambourine, framedrum and tabor. Harpsichord: sampled.
Software:
Fan List

magnatone

MarkHolbrook

Feter

Char

DWL

Rebsie

Ibstrat

peacepiano

apb

Skean

davisamerica

jiguma

five_extra_arms

Bowman

Henke

ceilidh

guitapick

Rocha Malhada

LunaTrick
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yrp said 129 days ago
"What were you smoking..."
:-) hehehe

Very intersting variations.It moves and changes more than all my songs together!
Good one.Will check more of your music in the near future.

Char said 129 days ago
You are playing all these things?
I didn't hear the others. How delightful. Can I play tambourine on your next one? Wow!! Neat!!!
Thank You, I have never heard anything like this. You are... FABULOUS! There you go. :)


VicDiesel said 129 days ago
How can I resist
if a pretty girl offers to shake her thing for me....

Eh, talking about that tambourine, of course. And yes, that's all me.

Victor.

Alannah said 129 days ago
Ya learn something new .....
... every day .. now why didn't I take you for the "renaissance" type ..... I had visions of Drakonis and Rebsie dancing around the May Pole here ..... I think I said something about putting on a corset on another renaissance tune I recently listened to ... so I shall keep my corset on now for this one. I like those interesting flute (?) notes ....

Feter said 129 days ago
The Last Pavane
Ahhh ....the music of the world ...when anything
in this world can just sit and listen to this
charming recorder ...just so awesome as ever my
friend ..thnx alot for sharin such gem !!!!

composerclark said 129 days ago
Wow!
Very impressive! And lovely music! You've done a terrific job here, and I applaud you for it... Bravo!

DWL said 129 days ago
Blimey
That's a piece of work :-)

Splendid variations and a great sense of fun.

Cheers

Dick

Rebsie said 129 days ago
Beautifully done
How lovely to hear a Pavane done on mostly real instruments ... it has an authenticity and warmth I couldn't have got with my midi efforts.

A very admirable composition too ... beautiful counterpoints, changes and variations. A rich and colourful tapestry of sounds weaving round my head. I love the slightly more sad and soulful bit just before the 4-minute mark too.

Much respect Vic!

VicDiesel said 129 days ago
Thanks
Thanks for listening and commenting. Your praise really means a lot to me.




Ibstrat said 129 days ago
Very
authentic well-written song.Sounds like you have studied lots of early music.Your recorder playing is outstanding.

ic42 said 129 days ago
old england smile
it is music from a court, long ago. however, the middle section had some whimsy of a modern time. it is masterful music. the playing on the flute is always an amazement, you are very talented. this is a joy to the heart. it is time to return to the beginning to finish the suite. i anticipate it. 0x0

apb said 129 days ago
Bring on the jesters!! ;o)

.. this is just mad .. and brilliant .. and mad and ..etc
I love it!!

I think I will play it everytime I win a war on Facebook's "Elven Blood" - as a victory anthem.

Marvelous. 3 pointy hats will bells on, off ;o)

davisamerica said 128 days ago
vic ...
think DWL said "blimey" and "great sense of fun" ... x2 vic .. fro me to you absolutely a wonderful piece of work

Roca_Atomica said 128 days ago
Holy crow.
A real musician. This is a knockout. Very impressive.

peacepiano said 128 days ago
Melodies
Very smart melodies and counterpoints. The recorders are a real treat. The authentic sound of the percussion really finishes this off nicely.

Thanks
Bill

jiguma said 128 days ago
Olivewood, tulipwood ...... plastic?
Interesting juxtaposition!

I really enjoy hearing you play the massed recorders in your repertoire Vic. I always find these inspiring to break out my (plastic) one and have a blow.

I've been trying to write an orchestral piece over the past few months and am even more impressed with what you've done as a result. I really like the way your themes and rhythms change without sounding forced or contrived in any way.

Fishskin ...... synthetic ...... :)

Thanks for this, I am very impressed!
Neil

VicDiesel said 128 days ago
Thanks
Glad you like it.

As orchestral writing goes, this is not overly sophisticated: the harmony parts are basically extracted from the harpsichord part. That's a very simple way to get complicated arrangements, but it doesn't really qualify as polyphony. There's basically just one melody. In the past you've commented on my "Ma Folia" track, which is quite a bit more orchestral.

The fishskin et cetera bit is just my completeness mania. Kindly ignore it :-)



five_extra_arms said 128 days ago
Playful When The King Looks Away
I get the feeling the musicians enjoyed this even more than the royal court.

This is delightful.

Thanks for introducing yourself through the email otherwise I would likely regret missing this splendid composition.

Bob


Bowman said 128 days ago
A raw beauty in this that I adore.
I like the live playing and very sweet tunes.
A real courtly treat.



said 128 days ago
The Dance of Padua
You make the 16th and 17th centuries live again. I am amazed and humbled by your command of both real and virtual instruments. A stately dance in elaborate clothing -- that's what I like!

Henke said 128 days ago
I played
the recorder too, in ancient 70's, but definitely not this well. Kudos for variations that never seemed to come to an end, but still were fresh like the morning dew. Really well done!

/Henke

ceilidh said 128 days ago
brilliant playing
You are truly an amazing musician Vic, honestly. This is really a Piece of music. Wonderfully played, all of the instruments. Like the changes, which make the music very vivid and interesting. Makes you think what next will come. The change at end of the first third is really funny! :)
brilliant boy! :)
P.

VicDiesel said 128 days ago
Thanks for the multiple compliments
I told ya you'd like it....



ceilidh said 127 days ago
...
;)

guitapick said 127 days ago
~
Very well written and performed. Didn't know that about the "last pavane"...nice new piece of knowledge...

Drums are a nice touch...

Rocha Malhada said 126 days ago
been waiting with bated breath...
for another one of this style from you; you know I like it.

I can't even begin to imagine how you conceived this delightful progression, must be a period thing. I expose my ignorance, but it is just right - accompanying drum selection with the harpsichord was cool, that really capped it for me.

Kudos, Vic.

. - Harold

Willywagga said 125 days ago
Lovely
Gentle music, full of air and history. Beautiful tone and colour to everything. Fab.





egobandit said 123 days ago
Hey
this be allright

Cameron said 123 days ago
whimsical!
This is a very imaginative piece with high performance standards, especially on recorders.

The inclusion of percussion and harpsichord lent additional foundation and color to this composition. The combination of sound between the mostly acoustical instruments and one software instrument was excellent.

(This provokes all sorts of thoughts and theories about how "real" and "synthed" instruments can most effectively be combined for optimum sound. It seems that if the majority of sounds are "real", then the lesser software instruments can be better integrated into the mix. Good job on that!)

The timings on percussion with recorders and later with harpsichord were sometimes just slightly off, which actually lends more "authenticity" to this recording.

Interesting harmonies and transitions throughout. It's sort of a "renaissance journey with a modern twist".

The last 50 seconds seemed a bit meandering with the melodies and harmonies, but the overall piece is nevertheless quite entertaining and ambitious.

VicDiesel said 123 days ago
astute as always
Thanks for your detailed critique, and I'm glad you like it. I value your judgement.

I'm aware of the timing issues. It's pure laziness that keeps me from rerecording several parts. In particular there is one section where the recorder is first ahead of the beat and then behind. It was very hard to play a percussion part that sort of kept the middle way. Good thing that I don't make my money as a studio musician.

Ambitious: did you realize that one of the last variations is in Gb? It's one of the simpler ones (maybe contributing to the meandering feel you discern; melodically it doesn't really break new ground) but surprisingly hard to play.

The combo of real and synthesized instruments has been on my mind. As I type this, I'm coming back from a concert that featured a real harpsichord and I was struck by how unlike the real thing my sampled harpsichord sounds. In particular, I'm playing lots of contrapuntal lines in the left hand, which would sound a lot thinner on a real harpsichord. If this piece is to be performed live, it really needs a cello or so to reinforce the bass. And unlike the other pieces in the Courtly Suite, this one is not a traditional figured-bass type of left hand, so I actually need to write out the left hand part separately.

Btw, what do you think of my Kueng tenor that's playing the melody throughout? Lovely instrument, not? Fully worth its not inconsiderable price.

kristyjo said 110 days ago
I love hearing
The real thing as you present it here. The B section has a bit of a modern 'wink, wink' feeling to it. Very fun! I once played tenor recorder in a consort. We were very 'highbrow', and only played authentic early music. This is really great, because the modern perspective is clearly there, but it's subtle.
You learn something about someone every day. I had no idea you were such a renaissance man!

LunaTrick said 17 days ago
Super Galliard!
Very nice... great part writing and properly led from the harpsichord. Processional as it should be with nice step movements and quite lovely modulations. Thoroughly enjoyed!

Artist Profile
VicDiesel photo
VicDiesel

Artist Bio In previous lives Victor was a country fiddler, a shawm player at the Burgundy court, bellows pumper for JS Bach, Geoff Emerick's factotum, and a beggar playing drums in the streets of Calcutta for alms. Unusually, the memories of all that come back to ...[more]
Artist Music
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The Huron Carol
In memory of 400 Cheyenne and Arapahoe Indians
Zero velocity surfaces
Ummm
If you lived, you'd be
The Last Pavane
Trans Appalachia Express
Under reflection
Spit
Guards of the Cannon
Disco Loop-de-loop
My contention
Dirt Roads
It all adds up
The Queen's Minuet
Vermillion cliffs
Bass-Box
inversions tutorial
Night Calls
The Minstrel Boy (Rebsie Vocal Mix)
Modus Locutus
Autumn's Allemande
Fredo's chanson
Doctor Good
My favourite gorgon
North Rim
Back Pedal
Larissa (w/ John Hulaton)
Bright orange pez dispenser
Ma Follia
Essays in idleness
The Natives are Restless - the coming of Ikhabod
The Natives are Restless
Duelling Sarods
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Memory of friends gone by